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Plot  Does it offer enough temptation for the reader tocome along for the ride? (Apply this question to everycomponent.)  Are the twists and turns believable even ifincredible?  If it's a simple or well-used plot,remember that more responsibility for creating reader experiencewill therefore fall on the other components of your story.
This article tells you how the What's In It For Me? (WIIFM)formula, normally applied to commercial endeavors, is equallyimportant to readers who are browsing or scanning fictionlooking for that next good read.
When a reader first approaches any story they have noconnection, no feeling response. At this point no exchange hasoccurred and no experience has begun.
Without quality [url=http://www.sidegemeinde.com/peutereyoutlet.php]peuterey sito ufficiale[/url] components your writing will be, at best, blandor uninteresting (default reader disconnection: browsing on tothe next book), or at worst, even irritating (active readerdisconnection: [url=http://www.shewyne.com/woolrichoutlet.html]woolrich outlet[/url] noting never to look at that author's worksagain).
_______________________________________ Need To Read? Take aBreak! A quick break to clear and refresh your mind beforeplunging back into your busy schedule.
Dialogue  The most important questions to consider withdialogue are: Is it worth saying? and; Is it said well? Delete,or replace with valuable content as necessary.  A noteon using street talk. Beware; great skill needed. Readingwritten translations of this material can be tedious. Similarly, with jargon or accented language use this sparinglyand with skill, otherwise it is painful to read. Err on the sideof using regular written language with tweaking to support yourstyle, story tone, or the character's personality or background.
Description  Enough or too much? Are you includingtrivia? Are you omitting vital 'show don't tell' informationabout character, place, purpose, atmosphere. Is your descriptionintegral to the transmission of the plot, [url=http://www.fibmilano.it]woolrich[/url] characters, action,your style, the story's tone? The reader's feeling experiencecan be enormously enhanced by judicious use of description. Ithelps create that virtual reality experience that takes thereader deeper into the story.
How You Create an Experience for Your Reader. Your fiction storyis built from components: plot, structure, characters, action,description, dialogue and your writing style. It is from thesecomponents that an experience can be created if you ensure theyhave quality.
What's In It For Me? is all about you giving something of value.This is what attracts and holds your reader. As a fiction writerthis thing of value that you give to the reader is anexperience.
Rigorously apply the following checklist to your story, beforeand during writing. This ensures each component contributes to aquality reader experience?
And always apply your maxim: What thinking and feelingexperience are you giving your reader? [url=http://www.tagverts.com/barbour.php]barbour deutschland[/url] Are you taking themthere? [url=http://www.gotprintsigns.com/abercrombiepascher/‎]abercrombie soldes[/url] Or are they just watching from the outside while you gothere?
It is your story's responsibility to move the reader into astate of connection by giving them a thinking and feelingexperience. The better the experience, the more your story isvalued.
Structure  Have you chosen a structure that presents thestory in its best form and light? Or did you pick the easiest ormost familiar structure without thinking about it?
An experience is an exchange between the story and the readerthat sets up a thinking and feeling connection for the reader.
Action  Are your action scenes genuinely originating outof your characters' interactions with the plot and each other?Or are you artificially imposing action responses onto yourcharacters? The latter can lack believability and lose theconnection you may have established with the reader via othercomponents of your story.
Character  Here is your most important opportunity togive the reader an experience. If you don't create connectionhere your reader has little reason to stay with the story. Psychological depth and originality create some of themost compelling and successful characterizations. Are youcreating characters using a 'cut and [url=http://www.par5club.com/louboutin.php]louboutin pas cher[/url] paste' approach fromelsewhere in fiction or life? Or are you originating from withinyour own creative depths, having absorbed observations andexperiences from life and let [url=http://www.thehygienerevolution.com/hollister.php]hollister france[/url] that settle into the mix withinyourself? A Philip [url=http://www.sandvikfw.net/shopuk.php]hollister outlet sale[/url] Marlow character or an unfamiliar (new) mixof traits?
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Briefly Practice these seven components with short writtenversions to ensure you have a quality experience to offer yourreader. Try standard ten-minute exercises. This will give you anidea of which [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour france paris[/url] components you are ready, and which need moredevelopment.
Do You Have What It Takes to Grab and Hold Reader Attention?Does your fiction writing do the sales work for you? Do you havethat magic ingredient to hold readers until story's end? Whatare readers looking for in a good read anyway?
Your Style  Some writers forget or choose not to developthis and just copy someone else's style or a generic style. Thiscan work if the other components of your story are strong. If you specifically try for the creation of your ownwriting style [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour pas cher soldes[/url] or 'voice', remember to create a style aimed atbenefiting the reader, not your self image. If the former leadsto the latter, great. The flow goes one way only. You may needto experiment or workshop this style. Look for a feel, a pace, atone, a way of thinking, speaking or moving that creates thetype of energy you want for your story, characters, narrator andaction. Find an integrated, fundamental way to write this energyinto your story components. Each time you sit down to write yournext scene you need to put yourself into that energy, thatstyle, that feel, to maintain consistency and quality.
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